Great Blog

I was first introduced to new journalism, or narrative journalism, during my high school exchange year at Princeton Day School in New Jersey in 1981–82. Reading Tom Wolfe and Michael Herr as a history class assignment put me on a path that I’m still on.  Back then, as a 17-year old school boy I decided that real was cool. The better it was told, the more real it felt. Since then great writing has never meant an escape to me, it has always meant an  intense relationship with the reality.

Bonnier Publications, the publisher of Olivia and Divaani magazines, is organizing a seminar  on narrative journalism  called Storytelling 08 on Thursday November 6th. The seminar will feature two Pulizer Prize winning Americans, Thomas French and Jacqueline Banaszynski, and a few local fans of the genre, including me that I have the honor of giving the first presentation of the day. I’ve been given the title: What should we learn from American journalism?

I will be talking about the concepts of craft, journey and community, in American society and in American journalism. I think these concepts also capture the big questions of who you are, how to do your work, and what your job actually is. A narrative journalist  is a craftsman reporting on the journey of an individual or/and a community or a society. When you do this, when your stories  take your readers on journeys in the the world they belong to,  you are actually crafting  that world. This is an intense relationship with the reality.

I look forward, not only to a great and much needed seminar, but also to its impact on Finnish journalism. And, hopefully, reality.

While the official documents for the new Aalto University were being signed at a prestigious ceremony at the centre of Helsinki on Wednesday June 25th, another kind of groundwork for Finland’s future innovations was laid a few hundred meters away at Katajanokka’s Wanha Satama. A three day seminar, organized by Sitra and Tapio Wirkkala Rut Bryk Foundation, that brought together almost a hundred design thinkers around the world came to an end.

A closed seminar, with very open working methods, was trying to tackle the new paradigm of design and what it means for education, industry, governments and of course the design profession. The new thinking stresses design as a method and a process that can be applied to a lot of things, instead of seeing it just as a way of giving a form to an object or a service. According to this new school of thought, design and designers can help to solve wicked (enormous) problems like health care, global warming or national competitiveness in addition to their old role. Design can be seen as working method that brings together a wide range of experts to tackle specific problems and challenges.

What the seminar accomplished is yet to be seen. We can for example expect a Helsinki Design Manifesto to stem from the work done during the Lab. What is clear and welcome is that the role and nature of design is being rethought, as Finland gets ready to apply it’s new national innovation strategies and to launch the Aalto school that will combine the existing tech, business and design universities in the Helsinki area.

The new paradigm – that design is everywhere and can be applied to just about anything – reminds me of the shift in the role of marketing a while back. For long marketing meant marketing communications, then all of a sudden everything that the customers needed and therefore a company should provide was called marketing. It made sense but was also a struggle for hegemony, the fun people from the marketing department wanted to invade the corner offices, or at least be invited in for a chat.

Now designers want to do the same, and not only designers, there are other powerful forces – like Sitra, some of our industry and some behind the Aalto school – that are pushing for design nation Finland to take its design more seriously. It is difficult to expect anything but good to come out of that.

It was a fun and intense spring, mostly spent working on designing and crafting communication for design and craft. The biggest customer was Onoma Shop in Fiskars that after ten years of operation wanted to renew its strategy, layout, displays and communication and build a web shop. Great Point was responsible for the project and did it together with Lauri and Lotta from Eriksson & Company and Mari Vatanen. The project was financed by Uudenmaan TE-keskus and the Fiskars co-op.

If you are into ethical luxury, like things local, like stories, admire artists and craftsmen and have been to Fiskars, 90 km west of Helsinki, go again, and check out the all new Onoma Shop. If you just cannot make it this season, don’t worry, you can get into that Fiskars state of mind by visiting www.onoma.fi.